Showing posts with label Season Review. Show all posts
Showing posts with label Season Review. Show all posts

Friday, 28 September 2018

Jack Ryan - Season 1 Review

Synopsis

Former Marine, now CIA "Analyst", Jack Ryan gets tossed into the action after uncovering some dodgy money laundering happening in Yemen.

What I thought

Having been given a personal recommendation that this show was well worth a watch, I did indeed do my usual litmus test of watching the first episode and forming an opinion of if it was worth continuing with. However, with this show that was a little bit of a red herring.

Wiki describes this as an "action political thriller" series, which whilst one could certainly say it covers all of those three aspects at reasonable frequencies, if anything, the one that defines the series as a whole, is 'thriller' and then even that might be a stretch. Can we just got for "drama"? 

The first episode is an absolute marvel of storytelling, with serious action, real emotion, grit, WTF moments, and that general rush you get when you watch something new that hooks you in quickly and leaves you wondering "Who's that?", "What's that got to do with anything?" and "What's going to happen next?" throughout. I really can't praise the opener enough. It was not too far from going beyond "Very Good" in my ratings; given I don't get too excited or worked up about much these days, that shows how good it was. 

What follows afterwards though for the next 7 episodes is like a former shadow of the amazing opener. It's as if the series took a shot to the knee and spends the rest of the series dragging its heels and giving us fleeting spits and spots of what was being regularly served to us on a plate in the opener.

This is how it feels from episode two onwards ...
There's a lot to like about this show though, and it's well worth a binge on Amazon Prime as it's only 8 episodes and its inadequacies will get lost the quicker you watch it all. It's hard to explain but after the first episode truly establishes Mousa Bin Suleiman as the main bad guy and the brothers as emotionally charged "villians" it's as if the story attempts to do everything to drag things out in directions that don't serve the main premise, or the absolute terror or villainy of the bad guy. There's some emotionally charged moments in the French Excursion but it manages to fall flat with a shoot out that should be left to cowboy films, much less the end-confrontation between Jack and Mousa which was the premise the story tried to keep setting up throughout (the online chat they had - "The Analyst") yet it turned out to be a distant chase, no dialogue and a limp conclusion via one long range shot. Sure, not all military operations go the way as TV shows do, but this is a TV show, we are being setup for a finale, and, well, not only does it seem to struggle along with any regular momentum but we get no pay off. Even the random closing scene where one of the henchmen is seen off months later, just felt like a "and by the way" moment tagged along to just tie up loose ends. Funnily, loose is a decent word to describe this show, as the potential was there for it to continue as strongly as it did in the opener but aside from a few moments along the way (Mousa's Wife struggling to flee - and most of the scenes in France) it really all totally became a bit of a damp squid when it should have all mattered much more. It didn't help that the big setup to infiltrate Mousa's compound resulted in a lot of sweaty marines shouting and aiming guns, but noone being home: much like this show.

These two played off each other brilliantly.
Back to the real positives and Jack's boss quickly becomes a really likeable character although why they had to drag both his and Jack's backstory out to the final episode where neither's story really played strongly to the central story, I don't know. Likewise, the "Villain" was an awesome character but a little too quiet and lacked being seen anywhere near as important as he should have been to the whole series. 

Mousa's wife and children's story is a strong one.
Mousa's wife was clearly not onside with her husband from the word go. We all knew she was going to either leg it or spill the beans on him sooner or later. Although it's obvious why she changed her opinion, we don't really get to truly appreciate why she feels the need to flee so early because all her change of opinion in her head mostly happens before the show starts. Regardless, her and her children's escape is tense on numerous occasions and one of the real positive gripping moments, aside from that in France which happens after the opening episode.

Hey, I know all about Ebola, but I doubt that'll be relevant ...
Jack's girlfriend took an awful long time on me to grow as a character, yet from the minute she first shows up in a laboratory talking about infectious diseases, you know that's going to play into things ... which amazingly takes until very late on in the series for either her or Jack to really pick up on. Sure, for them it must have taken a while to put 1+1 together but for us, the audience, who'd seen everything going on for ages, it was just too obvious that her and the whole thing about Ebola was "a thing" before they did.

I'm bad, and I'm going to show it by ... not doing much.
Yes, Mousa doesn't really do much at all, all series. He gives a few speeches, we see his backstory in some flashbacks, and he gives a good dialogue about how he needs to setup the finale bomb himself to prove himself to his followers, but, then, even that never materializes, so one has to wonder at times exactly what he has done to win so much praise and admiration from his followers because we see so little of it.

However, all this aside, as a binge watch show, it's worth the effort, and you will get some satisfaction along the way, although it is a bit of a let down overall after the opening episode.

My Rating

6/10 - Starts amazingly but then sporadically limps along to a flat finale. Worth a bag of popcorn on a rainy day though.


Tuesday, 8 November 2016

Star Wars Rebels S03E06 "The Last Battle"

"On a salvage mission led by Captain Rex, Ezra and the gang are captured by a unit of old battle droids determined to fight one last battle to end the Clone Wars."

What I thought

I was looking forward to this from the moment I heard that there was going to be a battle droid episode. Sadly, this failed to live up to my expectations, not least because of it’s somewhat insistence to be a pun-fest of clone wars anecdotes. Then there was the far too obvious scenario that was going to materialise from the minute the Empire showed up, and that the whole episode really only dumbed down what was an absorbing Clone Wars into a couple of tactical situations that were simplistic and over quicker than two quick things. Sigh.

Te fact that a command droid and a hoard of battle droids could have still existed was plausible. Up until the moment that the war game was suggested, everything was pretty acceptable. I was looking forward to perhaps a longer drawn out battle than we got, which turned out to be a simple few waves of droids, one tactical manoeuvre and a final quick kiss and make up between former separatists and republic literally seconds before the Empire showed up. Yes, this is the cartoon effect I know, but after hearing just about every reference to the clone wars drilled out one after the other, it was quite something to accept the truce came about so easily. In hindsight, I guess both sides realised they were manipulated by the Empire but you’d think either could and should have worked that out long before this episode started! What had either side been thinking for the x number of years? Jeez.

Sure, it was satisfying to see the separatist army and republic join together to take on the Empire but it was short-lived as there appeared to be next to no droids left by then, and pretty much none left at the end thanks to the battle droids escaping shuttle being the only shuttle that got shot down. Shame the Command droid left when you’d think he’d want to be part of the rebellion and use his sophisticated battle skills once more but alas no. On the plus side we got a flashback to the clone wars in this episode which was our bread and butter once upon a time in the cartoon world. One has missed the ridiculously thick battle droid logic and their sense of humour but I do feel this episode should and could have been a tad better and maybe made a bit more of a thing about how bad and epic the clone wars was.
  • Good = Battle droids stupidity and humour is much loved. Clone War battle nostalgia.
  • Didn’t Like = Too much Clone war referencing puns, Ezra’s calling the truce, Control droid heading off alone, another young AT-AT vehicle easily taken down in what was one hell of an exercise in ESB.
Rating 6/10 (Good)

Monday, 30 November 2015

The Man In The High Castle: Season 1 Review

The Man In The High Castle
Season One
Rating: 8 out of 10 (Great)

WARNING: SPOILERS BELOW

In A Nutshell


Having watched the pilot episode several months ago, I was quietly awaiting the start of the series to be streamed on Amazon. I wasn't OTT with salivating eagerless, but the pilot was undoubtedly very good and well put together. Seeing where this show would go, and if it could possibly keep up the standard, was going to be worth my time I hoped.

So, has it maintained standards?

Almost.

Episode 2 was right up there with the opening one, as Frank Frink (try saying that ten times quickly) was tortured by the Japanese and his sister's family gassed, in order to get information out of him about his girlfriend Juliana's disappearance. This was a tense and horrific episode on emotional levels, what with Frank's sister knowing exactly what was "going down" and reassuring the kids anyway. Frank's emotions in the jail were about as award winning as things get, not least the aborted firing squad that was stopped at the last moment. With a new show, you don't know who is important and have no concept of who could and couldn't possibly be killed off, so this episode, along with Juliana's struggles in the neutral zone town, were naturally tense and dramatic. For me, episode 2 trumped the pilot episode. Juliana's meeting with her "contact" who turned out to be a Nazi Spy at the very last moment, was a shock reversal for me, although her rescue much less unpredictable. The attack on our senior Nazi official character, John Smith (not very umm, german name?) was also dramatic and quite breathtaking.

Episode 3, sadly, didn't quite continue on in the same vain. Sure, it can't be action and intense drama every week but there were some flat sections this episode for me, not least that the Japanese segments came across as dull, emotionless and somewhat feeling like it was keeping us from all the interesting parts of the show. The tension and concern that they felt regarding the Nazis was clearly evident. Gathering people's true intentions is not easy in this show, and almost feels impossible with the Japanese who maintain great poker like expressions in every scene. However, as things progress over next couple episodes, we do get further emotional and expressionate sentiments from them, not least when the Crown Prince is taken out at the end of episode 4. The drama and fallout from immediately after that shooting is outstanding filming, along with the tension of the Trade Minister and maintaining his secret operative's disguise, actually genuinely making me feel slightly nervous for both their lives. The only slight disappointment perhaps from their whole segments is that the prince isn't at this point in time anything more than severally injured. You'd think two clear shots would have been enough for any assassin to finish someone off!

The emotion at times in this show is unbearable, and at others times always very good. Frank's interactions with his brother-in-law initially tense as hell, although somewhat strangely "friendly" at the latter funeral. It's poor Frank who really gets the most serious of emotional rollercoasters during the opening episodes. Julianna's, notwithstanding her altercations, seems less affected by what she's been through, continuing in episode 5 to search for the answers to behind the tapes, by strolling into her sister's boyfriend's house nochartely. The conversation she has with the lady there, who one assumes is resistance, was rather straightforward, given the whole cloak and dagger stuff we've had her go through previously. Her return home in episode 4 has presented her with probably the most plot convenient transition, with that house visit at Randell's home, and job at Japanese HQ being creamed with her bumping into the Trade Minister in that building. All rather too convenient for me, and certainly very out of place with the twist, turns and rather non-processional like storylines the show has consistently turned out.

Episode 6 and Juliana and Frank squabble like the dysfunctional couple they are, although in some ways at least their relationship makes more sense than Juliana/Joe which I really can't fathom out at all. They've both got their own relationships going on, but seem to be drawn to each other. This isn't going down the Star Wars Luke/Leia thing is it? I really hope not, but at least that'll make more sense than the stupidity Julianna has in repeatedly risking everything for him. Sure, he saved her life ... once ... but then she keeps doing all these things for him, and doesn't really ever give a reasonable explanation. Even on her first day working at Japanese HQ, she's being instantly stupid, by snooping for info and so clearly eavesdropping in the meetings, that she may as well sit at the table with everyone. The most interesting revelation from this rapid 1st day in the job though, is that she finds the room that the resistance wanted her to locate, sees that keyword "grasshopper", nicks some document with the writing on, and then sees her dad! It was a surprise to see him there. Seems he's working for the Japanese? Although not one of us would believe he's doing it for love. Meanwhile, Frank turns on another burst of emotion after his earlier torturing scenes in episode 2 when he stormed off from arguement with Juliana and meets up with a relation to find out the guy is a practising Jew. It's a tender moment with him, the family relation and children praying.

By far the biggest chunk of scenes in episode 6 are at Nazi Smith's house on "VA Day", which is a big celebration for Nazis.  Joe and somewhat unexpectedly, the "Swiss operative" (come Nazi and seemingly Smith's old pal) Rudolf Wegener are both invited to the family dinner which turns out to be a very clever ploy by Smith to essentially interrogate them both whilst stuffing them with food and drink. Smith knew Wegener was lying about every cover story he came up with about why he was on a so-called business trip, which wasn't totally obvious until he told Joe and asked for his advice. That was of course another clever trick to suss out Joe a little more. Wegener ends up being escorted away by Nazis and at the very end, Joe performs the classic stupidity of sneaking into Smith's office to look at files on Grasshopper, which turn out to be completely blank. That's when Smith turns up, somewhat disappointed in Joe. You'd think all was totally hitting the fan for both Joe and Wegener but the former gets a final chance from Smith to prove himself, by using Juliana to locate the latest film doing the rounds. The subtle way Smith plays Joe's girlfriend and son against him is a typical "bad guy" tactic but it's more than enough to work it's magic as a serious threat.

Quite unexpectedly, during episode 7, Juliana's dad collars her and tells her all about his role at the Japanese HQ, which plays out just as we thought. There's a whole 'what does he know or not' about Trudy (his daughter) and her role in everything, including these films. It's all a little unclear and seeming a tad inconsistent if you ask me. I'm not sure if he's really painting a good impression of himself, or if we're just supposed to believe it. The whole "Is Trudy dead or not?" thing seems to grind on this episode, but looks to have been put to bed when Juliana's new best buddy, the Trade Minister, reveals information he knows, including where Trudy's body is, which is a ditch in some field in the middle of nowhere. Julianna's almost vomits at the sight of the bodies, and even I felt a little uneasy, as she locates Trudy's body. I'm still completely unconvinced though that she is dead despite all this. The lengths they went to in this show to make us wonder if she was dead, and then show us her body ... well, it makes me believe we're being set up to see her again ... in some form ... giving the revelations that follow in later episodes.

Humour isn't totally absent in this programme, and the clear top joker in town is the jewellery shop owner, Robert Childan. He's brilliant in his role, dinning with the high-class japanese couple he wanted to attract to his shop and lapping it up, only to discover they really were just arrogant and obnoxious. Eager for revenge, he has Frank create some fake art for the couple, which just about manages to convince them, thanks to the lady's belief in "Wu"; some mystical energy that she thinks the item contains. This may be due to Frank having made it and later revelations in the show perhaps. However, Childan just steals every scene he's in. Speaking of "Wu", I imagine that's what the Trade Minister sees in the necklace he found a few episodes ago (that Frank dropped) and given how things progress, there clearly is something fundamental to the whole story concerning "Wu".

In Episode 8, Heydrich turns up as a very senior Nazi who, as it turns out, is probably not only against Hitler and Japan, but our Nazi chief, Smith. They share a rather diplomatic "spat" over the final few episodes, which is very much cat and mouse, as to one wants to show their cards. Smith works out what Heydrich is most likely up to, and is made into a much more human character after the VA dinner and the revelation that his son is terminally ill. The way the Nazi doctor suggests Smith humanely kills his own son, to save him embarrassment, is something you would think Smith would just do, as he's a duty man, but even he is putting off such an action, and shows even more genuine love for his son, whom is clueless to what's going on. It's a real show of emotion and adds that other side to Smith that we haven't seen. It also makes you wonder if deep down, he's going to perform a heroic act for the greater good at some point in the show's future.

Back to the stupidity side of things, and all that lies with Juliana, Joe and the Resistance's interactions. It seems that everyone is chopping and changing their minds every 5 minutes between this lot. What is even more baffling is how the resistance would trust her and especially anything Joe says so reasonably easily. The whole Joe factor and resistance is the hardest bit to understand when they were so cloak and dagger for so long, and now so open in believing and following Joe's lead on some matters! This is summed up when in the final episode they actually do some checking and find out that Joe is a Nazi. How stupid are they? Either the two resistance characters aren't really the sort of resistance we'd imagine they are, or they really are simply stupid and as rather hapless as they appear on numerous occasions. The Resistances actions in the second half of the first season are just unbelievably daft after the rather carefully hidden tracks and conversations they perform during the opening episodes. Why are they counting on Joe so much and not using their own resources? Don't get it.

It's not really a surprise then when things go wrong trying to retrieve the latest film from a gang who stole it and want money for it. The Kempeitai turn up, the resistance leg it, and Joe and Julianna are bundled into a car which turns up to belong to the gang leader. Episode 9 then is all about money and exchanges for the film, which seems to go on forever in their quest to be rid of the gang, so it's a bit of a surprise when once again, after Julianna gets her bail paid by the resistance, that Frank is the one who goes in to pay for Joe's release. That looks to be going to plan until Joe goes all gun-ho, stealing a gun and shooting everyone, before taking the film. A dramatic ending to what seemed like a rather drawn out plot segment we all could have done without. The plan to all met up at a local school after all this drama is strange, so much in that they seem to be walking around a school like they own it. No mention of having to break in, and there's obviously zero security around the school. But this is where things really start to ramp up for the finale ...

We've got the Trade Minister regretting all his under dealings to help his countrymen when it now seems to have convinced the recovering Crown Prince to launch an assault against the Nazis. Wegener is being booted and suited by Heydrich to kill Hitler (as they are best pals it seems) in return for ignoring his traitorous deceit. And to really raise tensions, Frank and Juliana view the film in the school and see a scene of Nazis executing people, of which one of the Nazi's is Joe, and Frank is one being shot! Sadly, this penultimate episode cliffhanger goes down like a lead brick with me. I was thoroughly disappointed that the film had anyone we know in it. Even more so that it turns out that Frank and Julianna are so ready to believe anything about what they see. Although they do suggest they don't believe the film, they take it as evidence that Joe is a Nazi and that it's showing events that'll happen one day. Where on earth do they have any evidence that anything in the films is anything remotely true? Seeing themselves in any film would be enough for me to disregard anything the films show, rather than believe them anymore. I suppose these people are so desperate for change, that they'll believe anything, but it's not really conveyed well that what's on the films is really good enough to be believed.

And so to the finale, which for me, was superb on the whole and only let down by the last few minutes and the ongoing stupidity between Juliana and Joe. However, outside of those moments, this was tense, dramatic and beautifully told. The ever helpful Ed gets caught trying to get rid of Frank's gun in a rather classic "Uh Oh" moment, which Frank only finds out about later in the episode, and then is trying to hand himself in. That's not going to work though, as the Japanese Police Chief has just managed to stop war by taking out the actual sniper of the Crown Prince in private and avoiding having to commit official suicide by now having someone to blame the shooting on. Poor Ed.

The show stealing moments though in the finale are all concerning Wegener as he returns home to Berlin and shares some awkward moments with his wife, and affectionate time with his children. The fact that it's all in german with english subtitles really adds to it in a way it just wouldn't feel so real and emotional if in spoken english. His journey to see Hitler is given extended screen time and beautifully shot in amazing picturesque backdrops both outside the high castle (yup, this gives away that part of the story) and inside. As he hears the sound of a film playing whilst approaching Hitler's office, you immediately know that a revelation is coming, and sure enough it turns out that Hitler knows about Wegener's intentions and that he is collecting the films and studying them. They've taught him the power of peace with Japan although we don't find out where they are coming from or how. One might have thought things might have a happy ending for Wegener at this moment, but seems Hitler hasn't suddenly become soft, and instead allows Wegener to commit suicide in return for sparing his family. This storyline directly links into Smith's predicament of being summoned on a animal hunt expedition by Heidrich, who you know has alternate motives. Things progress with the usual cat and mouse chatter before Heidrich shows his cards, taking Smith captive but offering him to join him in his new vision of the world (pending Hitler's death) or dying. The end result is extremely quickly and dramatically turned on it's head when the phone call to Heidrich comes through from Hitler himself. One feels Smith might be in for a promotion.

Whilst those big storylines are being played out, we have the usual Julianna/Joe stuff, where she's supposed to be luring him to his death by the resistance now that they've actually done some homework and know he's a nazi. Up until the final moment, she's all with the plan rather resolutely, but then reveals what's going on to Joe, who gives a little sob story, and the next minute she's sneaked him to safety, much to the dismay of the resistance. For me, this is not very convincing storytelling. Just seem too wishy washy, and leaves me feeling there has to be further revelations about Juliana and Joe to come, as well as something that restores my faith in what is a rather clueless seeming resistance.

The last two minutes see the Trade Minister leaving his desk and heading out with the necklace for some downtime. He believes he's likely to be in all sorts of trouble very soon over his secretive work and for employing Julianna, whom he now knows (although you'd think he already did surely?) that she's the girlfriend of traitor Frank. Of course, that problem goes away, much unknown to him at the time. His moment of meditation and reflection outside with the necklace causes him to have a rather real enveloping vision of the alternative reality of our world, that of the America in the 1960s. It's beautiful to look at from a historical point of view, but for me I did not like this ending. There was too much going on, and too hard to really believe he'd literally walk about in his vision. Something shorter and brief would have worked much better I feel. However, this further adds evidence to the fact that "Wu" means something in this programme, as the necklace, the Trade minister's belief in it, and the link to Frank and Julianna etc is all connected by it.

What I liked

There's no sweeping things under the carpet in this show. Episodes starting immediately where they ended in previous episode, which makes for probably the most dramatic beginnings of episodes since I saw episode one of LOST. Episode 3 began with gunshots from the bounty hunter chasing Julianna, and Episode 5 with the ghastly fallout from the crown prince's shooting. Your attention is wrenched from your eyes, and you're truly immersed in what's happened from the word go.

The costumes, backdrops and CGI is outstanding thus far. The world this show creates is absolutely intoxicatingly intriguing and appealing.

Top marks for a long atmospheric opening credits, even though I've never liked the song.

Mystery is everywhere in this show, not least with trying to work out the society and world these people live in, and exactly what history and motivations any of the characters have. The dynamics and connections between everyone is really compelling.

Some absolutely top quality segments throughout the first season, not least with the interrogation of Frank, the Crown Prince shooting, Julianna's Dam squabble and the nasty bounty hunter pursuit. Factor in the VA Dinner with Smith's clever interrogations, Wegener's emotional family exchange and there's so many top class moments. After that, there's numerous great stuff, and really only sprinklings of predictability, daftness and dullness. On the whole, the show gets it right on multiple occasions.

The bounty hunter is rather full of classic headhunter quirks and character, but there's no doubting he  is kick ass, and is as menacing as they come.

What I Didn't Like

I'm no fan of Edelweiss, and never have been. Even after hearing it numerous times watching this show, it's not growing on me. Not sure it's quite the best tune for the show but it has the right atmosphere and the titles are very decent and welcomed.

Japanese character stories are not the easiest and quickest to identify with and understand. I found them quite dry and uninteresting for first few episodes, although things did rise up a few notches with the Trade Minister's storyline in episode's 4 and 5 that made me actually care and attach to him for once.

Although full of quality, there have been several cheese and "bleh" moments, what with the drugged interrogation by the Nazi's feeling as pointless to sit through as the Nazi Commander felt, and the implicated Nazi Official by the captive carrying little weight as we hardly knew him or the captive. The passing of information to the Science Officer by the Trade Minister's operative also felt a little odd that there was only one opportunity apparently. I know things are tight and tense, but it did seem that the emphasis of why that exchange could only happen that way was not really clear. Lastly, the bounty hunter's "setup" by Joe and Juliana was well planed but far too cheese you'd think to really fool him.

The revelation of what's on the latest tape did not go down very well with me. It's was always going to be hard to convey any sci-fi in what's mostly been a pure fictional drama/thriller up until now. If they'd not had two of the characters shown in the film, it would have worked much better for me, but to see Joe and Frank conveyed in the video as "alternative world versions of themselves" was an overdose of cheese for me, rather than any jaw-dropping revelation.

Quite how Frank and Julianna decided Joe was a Nazi, based solely on a film they watched ... which showed Frank in a situation that clearly wasn't him ... well, I don't know. Just daft really.

The Resistance are really quite rubbish. They seem to have no clue what's going on. Don't really think they can be "pure" hardcore resistance because one moment they just take Joe's word and his cash, and the next they are performing "checks" on everything. Inconsistent stuff by them, between being all cloak/dagger and then just doing pure daft behaviour.

The ending ... didn't like it. Reminded me a little of the ending of BSG (the remake one) and a little of Heroes. If the Trade Minister had merely heard sounds of an alternative world, or caught a very brief look ... that would have worked better for me. But to march about and be immersed in it ... well, it's harder to believe that one could do that, and that others haven't already.

Huh?

Aside from my disappointment of the content on the latest film, the relationship and interaction between Joe/Juliana is my next greatest annoyance and frustration on this show. It just seems so random and odd at times to be taken seriously.

The season ending scene was at least a minute too long to really capture the emotion and wow factor for me. A brief glimpse and background sounds would have worked much better.

Beautiful scenery and confirmation of who the man in the high castle is, comes in finale.

And Finally

As close to perfection as any show has managed for me in recent times, but sadly let down slightly by an increase in convenient storytelling for Juliana's character, the longer time it's taken to identify with the Japanese characters and the incredulous daftness between Frank/Julianna/Joe/Resistance, especially Frank and Juliana in relation to the revelation of the film's contents. Plus, that ending ...

Nevertheless, there have been many award-winning chunks of amazing drama and tension in this first half of series one. The backdrops and atmosphere of this alternative timeline is absolutely gorgeous and so hard not to enjoy visually. There's real tenderness and emotion of the highest quality with Frank's torture, Wegener's family moments and his subsequent Hitler meeting, plus Smith's VA Family meal with hidden intentions. The mystery and the way plot points are stretched out to raise tensions and drama to their ultimate tether is simply so bountiful in this season and skillfully achieved.

The rather limited number of main characters made things slightly more predictable as time went on, but there were enough surprises and revelations along the way to keep shaking things up, and packing that powerful emotional blow that is used to such awesome effect in this show.

Rating: 8 out of 10

Monday, 5 October 2015

Hand of God: Season 1 Review

Rating: 7
Very Good

In A Nutshell

First up, you don't need to be religious in any way to watch this show. If you like mysterious dramas and psychological emotional TV, then you'll find yourself in a "happy" place with this show.

Having seen the pilot of the show earlier this year, I looked forward to the series being made available, and very recently Amazon put all 10 episodes up for us all to feast on at our own pace. At 50-60 minutes an episode, you've got a realistic good chance of breezing through in one week.

The show centres heavily on the main character, Pernell Harris, a city judge who is undoubtedly at the top of his profession and very good at it, but is also not against manipulating other people and the law to get results. When his son, PJ, commits suicide and is placed on life support (events that take place before the pilot episode), Pernell's mental health starts to go off on a massive tangent and he sees visions that he believes are coming from God.

Pernell is a character that carries emotion so well that I very quickly got wrapped up in his mental torture and suffering. Using a criminal, KD, to do his extremely dirty work, he's soon committing the very crimes he's locked people up for all his life. But he's headstrong, and fully believing that what he's seeing, in the form of hallucinations in various guises, although often via the voice of his son PJ, are justifyingly right, and will lead to his son waking up.

We discover along the way the real reason he's so headstrung in having PJ wake up, and that there is a bigger conspiracy and undertone to why PJ shot himself in the head, and events that led to that. It's all revealed in drip drop fashion over the course of the season, eventually with actual flashbacks adding real texture to what went down in the 24 hours before PJ's suicide.

There's a plarithory of top quality characters and actors in the show, with Pernell take the majority of screen time, along with events concerning his best friend and city mayor, Bobo, probably the main sub-plot which actually quickly integrates to be very relevant to Pernell's "visions". Time spent with Pernell's "disciple" of sorts, KD, are often disturbing in nature as it's KD doing the real bloody dirty work, as well as having a very heavenly belief, twisted with a naturally violent personality. KD is like a cuddly toy in how he responds so mannerly and cute to people the one moment, and then the next he's sickeningly beating and killing people. Bobo's story, as a mayor trying to make a real difference, develops much slower for obvious reasons, but it's certainly central to everything come the last few episodes.

The Hand of God is the local church, and some time is spent with Pernell seeking guidance from the priest, Paul, who himself has a slightly unsaintly personality but spreads so much joy and love into people's lives, that he becomes another person you cheer for, despite his failings. I believe a lot about Paul isn't fully revealed this season, but he certainly has his troubles along the way, not least with his church and his lover, the church "second in command" Alicia. They have to manipulate some situations that aren't exactly what one might say 100% Christian, and deal with the consequences of their relationship, of which is pretty graphic on occasions.

The real hook though is Pernell and his visions, or are they hallucinations? We're lead to believe they are the former, until a serious game changer in the second half of episodes not only challenges Pernell, but also gets us wondering if we're just watching a true nutcase or not. Visions or hallucinations, there's no doubting they open a world of intrigue and questionable morals. For the most part the series isn't very predictable as secrets are revealed and circumstances twist and change a multiple of times. The finale however is probably the most predictable in terms of outcome, although there's a genuine surprise in whom Pernell finds eventually sharing with him in his visions.

If you like getting into the mind of people, and the emotional rollercoaster that produces, you'll love this show. The visions add mystery and high intrigue, but there is some really severe violence and sexual encounters along the way, making it certainly an adult-thriller-drama.

What I liked

There's a strong cast of characters outside of the lead, Pernell. His wife becomes considerably more central and intriguing as time progresses. Likewise the likeable charismatic Bobo, and cuddly/violent KD do own the stage when they have their moments to play.

Gritty, dark, and morally challenging storytelling.

Religious undertones are heavily invested in the show, and serve a real purpose.

Mysterious twisted visions of Pernell are inventive, creative and captivating.

Pernell and KD easily rule every scene by a country mile.

Promise of deeper secrets to come, largely I believe from PJ and the priest, Mark.

Some amusing dark humour along the way in every episode, including a genuine LOL moment as Emergency Bobo Procedure is tested out ...

What I Didn't Like

There's a sub-sub-plot involving Pernell's "hooker" and her relationship and issues with her mum and brother, and although there's surprise in amongst that, it's really no where near as interesting as everything else. The brother revelation is also somewhat taken in his stride without any real shock value when it's brought up in conversation. Quite flat and a little thin his aspect of show.

Some scenes might be hard to swallow for non-religious viewers, as it does get heavily happy-clappy and devoted to religious ways on multiple occasions.

Huh?out

Pernell, morally questionable and emotional troubled by visions. A highly captivating character.

Jocelyn, PJ's wife, comes in and out of the show during the series and may be one of the least interesting characters, but she has a very crucial part to play.

The highly likeable yet violent religious KD, is Pernell's man to do the real dirty, violent and bloody work.

It's that lady from Extant who played the doctor in the first series of that show. Guess what? She's a doctor here too.

Priest Mark, and his lieutenant-come-lover, Alicia, are the main source of religious tones throughout the show.
And Finally

Mysterious and captivating from the word go with the pilot episode, Pernell's visions and emotional behaviour is highly engaging. The series might start out with everyone else other than Pernell and KD feeling surplus to requirements and your attention but they quickly gather their own traction by mid-season, leading to a real convergence of everyone interacting and involved with each other.

This is primarily a psychological and mysterious drama, that makes Pernell and us viewers question what we're watching at one point. Yet with everyone largely having their piece in the jigsaw and with, dark humour and strong characters, this show delivers with tension, emotion and secrets being revealed in satisfying numbers along the course of the series.


Thursday, 28 May 2015

Arrow: S03E23: "I am Oliver Queen!"

Rating: 5


In A Nutshell

I am Oliver Queen! Says the title. Well, I am quite frankly very bored of this show. I didn't expect the finale to save our minds from falling asleep, and sure as a deep throated Oliver shout, it didn't. A good episode to perhaps paint the wall whilst keeping an eye on proceedings.

Let's see, we have our gang of heroes realising they were still alive in the cell. Shock horror. Yes, they'd all been inoculated secretly by Malcolm. Yeah, don't ask. Meanwhile, in a plane heading to Starling City, we've Oliver, his wife and Ra 'al Ghul. Plane ride gets bumpy very soon, as Oliver sabotaged it, and then comes out suddenly with his big reveal "I'm Oliver still!". Woopie Doo. So, they have a battle on the plane with some henchmen and Ra al Ghul. The latter escapes with a parachute (in his hand. he wasn't even wearing it!) and with the virus, thus leaving Oliver to do the impossible; not only survive the plane crash but also fly the plane to safety. Who knew he was a pilot?

A reunion with everyone follows before they find out that Ra Al Ghul has convoluted the plan to release the virus by having four of his men do the job in different areas of the city. Everyone goes about stopping them, including Thea, who is donning the red costume and going all kick-ass. Oliver has a well-shot sword sequence with Ra Al Ghul on the top of a dam. Hey, it looked good although was all over far too quickly and easily with Oliver winning. Sigh. The police watched the whole experience, only seemingly getting a clear shot at the very end, blasting Oliver and leaving him fall off dam ... only to be rescued by Felicity in the ATOM suit. You couldn't make this up. Well, seems you can, and this is quite how it felt. Who knew that she could work the suit quicker than it took even Ray!

The main battle is all over and there's still twenty odd minutes to go. What follows is a long dragged out debrief. Sort of like those warm-downs after sporting events. Ray blows up the first floor of the building, thus leading the way I guess for him to literally become "atom" sized. Oliver and Felicity have already left for the sunset, with Oliver now leaving his Arrow job. Malcolm is now head of the League of Assassins as part of deal with helping Oliver.

What I liked

Near the start, the Flash was involved to help them out. As daft as it was, because it simplified the situation tremendously, it was pretty cool. Barry is a lot of fun.

Yeah, that was about all I really liked.

What I Didn't Like

Crap suddenly reveal by Oliver that he is still Oliver. It didn't carry much umpth. Hard to imagine that Ra al Gal could have been deceived at all, even with all the Malcolm/Oliver work.

Felicity can fly the ATOM suit with less than five nanoseconds experience?

Cops can't shoot Ra/Oliver fight until Ra is dead and Oliver is victorious?

Why try to shock us into having us even think Oliver was "shot" and falling to his double-death off the dam, only to be rescued? Pointless and carrying no credibility.

Huh?

What's all that Ray and Felicity's signiture thing all about from last week?

The Oliver/Flash five minute appearances in each other's shows is far too convenient really.

And Finally

Well, it was hard to care, keep up with all the deception, and believe all the wacky stupidity and character moves this week, as it has been all series. Even the flashback this week was just as stupid as it has been all season, and boring and pointless.

Rating: 5 and of 10 (Thank goodness this is over with).